Immerse yourself in a Maine neighborhood at “kid scale.”
Our Neighborhood is a place where children can play different roles and learn about some of the many lifeways that make Maine a special place to live, including: an Amtrak Downeaster plane, a jet and air traffic control tower, a fire truck, a healthcare clinic, and a lobster boat.
In addition, Lighthouse Cove provides toddlers and infants with sheltered space and activities that are designed specifically for them, such as a giant sand castle, a lighthouse, and bernoulli blower.
Where?
Second Floor
Access Info
Melissa's Seaside Cottage
• Braille books are available;
• The cottage is wheelchair accessible;
• Books are stored and displayed at a variety of heights.
Train
• The train floor is designed as transfer platform;
• The train is “driven” with a lever and is operable with a closed or open fist.
Bear Care Center
• Wheelchair users can enter and turnaround inside the Care Center.
Jetport
• The ground-level luggage conveyor belt is operated by a wheel. The wheel has a universal steering knob.
• The Control Tower is a small step up but is designed as a transfer platform.
Lobster Shack & Fish Market
• The kitchen is wheelchair accessible.
Lobster Boat
• The boat and steering wheel are wheelchair accessible.
Lighthouse Cove
• Lighthouse Cove (both toddler and infant zones) are fully wheelchair accessible;
• Soft padding covers much of the exhibit and sensory toys are available;
• The exhibit is designed for children 2 and under. We know that many children with developmental disabilities enjoy this space; please ask staff about times when we welcome all ages in Lighthouse Cove.
Murals and Painted Signs by Patrick Corrigan
Patrick Corrigan has been painting over two dozen exhibit elements in the galleries of the new Children’s Museum & Theatre of Maine. Corrigan, who earned a BFA in illustration at Massachusetts College of Art in 1993 and was named One of Maine’s 10 Most Intriguing People by Portland Monthly in 2017, is an illustrator, painter, comic artist, muralist, and sign writer who lives and works in Portland, Maine. His editorial work has appeared in many magazines and newspapers, including The New York Times, The Los Angeles Times, The Chicago Tribune and The Detroit Free Press among others. His murals can be spotted throughout Maine at Local 188, LFK, Salvage BBQ, Sonny’s, 33 Elmwood, Blyth & Burrows, Mayo Street Arts, Speedwell Gallery, and in The Bollard. At the Museum & Theatre’s new facility, the scope of his work ranges from medical instrument illustrations in the Care Bear Clinic to wall murals to exhibit signs and detailing on a firetruck and train.
Patrick’s relationships to the Museum & Theatre has spanned many years as he completed a lot of painting in the Free Street building. However, that work was accomplished over a large period of time, whereas the illustration and painting in the Thompson’s Point building is occurring all at once. While he was painting a mural, we encouraged him to talk about where it all started.
“My grandfather was a big influence on me. He was a comic book illustrator during the Golden Age of Comics in NYC before joining the U.S. Army when WWII started. He returned to art after the war and moved from New York to Rhode Island where he started a family with his wife, Grethe.
“My grandparents were a constant and welcome presence for me throughout my entire childhood. We lived in a duplex, and my grandpa's art studio was just above my bedroom and in a spare attic room. I was around his supplies and art a lot. ‘I want to do what Grandpa does,’ I decided early on.
“I first started doing work with the children’s museum in the early 2000’s. As an illustrator, you can’t ask for a better place to direct one's efforts. The creative staff at the Museum & Theatre have always been a joy to work with and they have given me a lot of freedom to try new ideas. When I first saw the new building at Thompson’s Point and started working onsite there, I couldn’t believe how beautiful the location and orientation of the space was. I feel very lucky to be working with the team at the Museum & Theatre again on this fantastic project. I hope that folks will love going there with their kids. I enjoy doing this work for the museum. I think it’s nice for children to be around handmade things rather than machine made things.”
When Patrick isn’t finishing up his work at the Museum & Theatre, he is tending to his work at the show Persephone in the Late Anthropocene at the University of New England’s Biddeford Campus Art Gallery. This show is a response by three visual artists–Patrick Corrigan, Megan Grumbling, Denis Nye, and Hannah Secord Wade– to a poetry volume of the same name by Megan Grumbling, which presents a sequel to the Persephone myth and sets it in the age of climate crisis. Poet and artists reflect on the imagery and experience of climate crisis, and explore how as a community we might understand our roles in this era through a diversity of modes – through art, poetics, performance, narrative, the sciences – the better to meet its challenges together. Patrick has eight mixed media on canvas on display. The show ends May 14, 2021.
Additionally, Patrick performs as a musician and co-curates the arts and music calendar at The Apohadion Theater in Portland.